The Shotover F1 is a state-of-the-art 6-axis gyro-stabilized gimbal system built for unmatched versatility across both film and broadcast applications. Designed with an open platform, it supports a wide range of cameras and lenses, giving operators complete flexibility to configure the perfect setup. Engineered for dynamic environments, the Shotover F1 can be mounted on helicopters, vehicles, boats, and more—delivering rock-solid stability and precision control in the most demanding conditions. From cinematic aerial sequences to fast-paced live coverage, the Shotover F1 ensures consistently stunning results.

The Cineflex Ultra RT has long been a benchmark in the broadcast industry, renowned for delivering smooth, stabilised imagery in even the most challenging environments. Equipped with either a Sony HDC-2500 or Sony P1 camera paired with a powerful 42x 9.7mm lens, it provides broadcasters with exceptional reach and image quality—perfect for live events, sports coverage, and documentary work. Now part of the GSS family, the Cineflex Ultra RT benefits from the same cutting-edge stabilisation technology found in current GSS models, ensuring reliable, high-performance results every time. With its proven track record and advanced optics, the CineflexUltra RT remains a trusted solution for broadcast professionals worldwide.

The Spacecam Maximus 7 is a highly versatile gimbal system designed with an open architecture that allows seamless integration of a wide variety of lenses and camera setups. Its adaptability makes it an excellent choice for productions requiring dynamic movement and precision—whether mounted on tracking vehicles, arm cars, cranes, or used in controlled studio environments. Built for both stability and creative freedom, the Maximus 7 delivers smooth, cinematic results across a broad range of shooting scenarios, giving filmmakers and broadcasters the flexibility they need to achieve their vision.

Freefly Movi Pro Gimbal

The Movi Pro is a lightweight, versatile gimbal designed for both handheld operation and rigged applications. Its compact design makes it a favourite for productions that demand mobility, offering smooth, stabilised shots without the bulk of larger systems. Beyond handheld use, the Movi Pro can be mounted to vehicles or cranes, providing a smaller, lighter, and more budget-friendly option for dynamic filming. It also integrates seamlessly with our heavy-lift Alta X drone, making it an ideal solution for aerial cinematography. Combining portability with professional performance, the Movi Pro is a flexible tool for a wide range of production needs.

The Ronin 2 is a robust gimbal system that builds on the flexibility of lighter rigs while offering greater payload capacity for more demanding shoots. Designed for handheld use as well as mounting on vehicles, cranes, or cable rigs, it provides exceptional stability across a wide range of environments. Slightly heavier duty than the Movi Pro, the Ronin 2 is capable of carrying lightweight zoom lenses in addition to standard cinema camera setups, making it a versatile option for productions requiring both mobility and a bit more lens flexibility. For teams seeking a balance between strength, adaptability, and efficiency, the Ronin 2 delivers reliable performance without the footprint of larger systems.

DJI RS4 Gimbal

The RS4 is a compact, lightweight gimbal built for small, agile productions where speed and flexibility are essential. Ideal for run-and-gun shoots, it offers filmmakers a simple yet powerful stabilisation solution that can be set up quickly and operated with ease. Perfect for mirrorless and smaller cinema cameras, the RS4 provides smooth, professional results without the complexity or weight of larger rigs. Whether capturing dynamic handheld shots or working in tight spaces, the RS4 is the go-to choice for productions that value mobility and efficiency.